That
Which There Are No Words For
All
afternoon on the oyster farm,
a great
egret watched me work,
hoisting
bags of oysters out of the shallow water
on to the
dock to sort.
It was
dark of the moon, tide lower
than I'd
ever seen it, exposing rocks,
a pile of
culch I'd dumped at the edge of the marsh,
mud
speckled with dead slipper shells,
crabs that
could be hibernating.
Oysters,
sealed tight, holding their
mouthful
of saltwater in deep cups
polished
smooth inside by flesh
passed
through my gloved fingers,
sorting
for market.
I wasn't
thinking about thresholds,
how often
we cross without knowing,
doors
opening and closing
without a
creak or click
as the
latch catches and we wonder
what side
we are on now.
My body
had taken over:
bend,
hoist, dump, sort--
back into
the old bag to grow
another
winter underwater,
or into a
wider mesh
strung on
a line close to shore
for
market.
I broke
apart those that had fused,
pulled the
beards off muscles
and tossed
them overboard, rescued small crabs
who clung
or froze,
imagining
maybe then I couldn't see them.
Minnows
thrashed in my palms
opening
above the water, pure light
and muscle.
I watched
their hearts explode
when they
hit the water.
I wasn't
thinking about thresholds,
I was
pushing oyster bags on my hands and knees
through
six inches of water because the tide was so low
I couldn't
use the boat, sucked down
when I
tried to stand,
forced to
crawl,
cursing
and laughing as the egret
who had
not moved in hours
took a few
elegant steps, rippling
the calm.
Sitting
up,
kneeling
in my waders,
waist-deep
in mud,
I closed
my eyes,
not
because I knew what was coming,
but to see
in the dark as well.
The white
feathers of the egret so fine and smooth.
The marsh,
in mid-December, golden.
It was the
day before our darkness
made
itself known,
that which
we'd say about after,
there were
no words for--
Crow call
in the east answered by one at my back.
Prepare to
be emptied.
Why is the
death of innocence the only way
to know we
are loved?
Jen
Lighty, Dec. 16, 2012