How's that for a title! These feverish spice bushes of which I speak are how Robert Bly translates "los nardos febriles" in Lorca's poem "Malaguena." In the third stanza we hear that there is "an odor of salt and the blood of women in the feverish spice bushes by the sea." Some say Lorca was actually referring to tuberoses, but I prefer Bly's translation because it reminds me of sea rocket, the spicy succulent that is blooming in the dunes right now all over Block Island. When I pick a leaf and put it on my tongue, it burns. I think of Lorca and suddenly I am not on Block Island about to head out to the oyster farm. I am riding a black horse bareback over the deep roads of the guitar. There is a tavern in the distance. I can see the light spilling through the cracked door. If I enter, I will never be the same. The sea rocket burns my tongue. I enter.
Malaguena
La muerte
entra y sale
de la taberna.
Pasan caballos negros
y gente siniestra
por los hondos caminos
de la guitarra.
Y hay un olor a sal
y a sangre de hembra,
en los nardos febriles
de la marina.
La muerte
entra y sale,
y sale y entra
la muerte
de la taberna.
--Federico Garcia Lorca
Wednesday, June 19, 2013
Friday, June 14, 2013
Abundant
For a long time my thoughts were shaped by the words not enough. Not enough time, love, money--especially money. Foraging opened my heartmind to the truth--there is more than enough. It also connected me to the cyclical nature of time in an immediate way. As I became attuned to the cycle of wild time, my body calmed down, and then my thoughts, and my heart flowered.
There are so many plants waiting to be gathered right now! I wake up excited to greet familiar friends that I have not seen for many moons. Milkweed is everywhere--in fields, at the edge of stone walls, sneaking into gardens where it suddenly becomes a weed. I don't want the milkweed to feel unwanted. As a gardener, I work for people who want their "weeds" removed. Their weeds became my dinner, the tender shoots seen in this photo:
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There are so many plants waiting to be gathered right now! I wake up excited to greet familiar friends that I have not seen for many moons. Milkweed is everywhere--in fields, at the edge of stone walls, sneaking into gardens where it suddenly becomes a weed. I don't want the milkweed to feel unwanted. As a gardener, I work for people who want their "weeds" removed. Their weeds became my dinner, the tender shoots seen in this photo:
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When you snap a stalk you will notice that a white sap oozes out, hence the name milkweed. If you get it on your skin it will itch and burn. If you eat it raw it will really be uncomfortable! Milkweed needs to be boiled in at least two changes of water. Some of the old field guides say three, but I think they liked there greens more cooked than we do. I have had no problem with two changes. The easiest way is to boil two pots, throw the shoots in, boil for a few minutes, dump, put them back in to the other boiling pot until they have reached, as the guides say "desired tenderness." (Isn't that what we all want?) They taste like green beans and are delicious hot or cold. I liked to eat them in a dijon vinaigrette.
Below are two photos of milkweed flowers about to burst. They can be picked now and eaten. Parboil them. I like to make wild tabouli with them. The look and the texture is similar to bulghur wheat, though the taste is lighter and fresher. Add some chopped almonds and dressing of your choice (lemon, vinegar, herbs, mustard.)
Many of you probably know that milkweed is the favorite food of monarch butterflies. They rely on it to complete one of the most incredible journeys on our planet, migrating to and from pine forests in the mountains of Mexico. To me, the most inspiring aspect of this journey is that they change forms halfway. A butterfly leaves Mexico, flies all the way to Block Island, lays eggs which become a caterpillar, which weaves a chrysalis around itself in which it completely dissolves. When it emerges, it is winged again, ready to fly south to begin the cycle.
We are at a time on our planet in which many cycles are coming to an end as the result of human action. I feel immense sadness when I think that maybe one day butterflies will not appear over the bluffs and come to feed on flowers in the island's fields. I am also coming to trust that there are larger cycles that I can't see. The butterfly is a symbol of psyche, the soul. Could it be we, like the caterpillar, are dissolving into something we don't recognize yet, something light as breath under wings, translucent and shining with the knowledge of our own beauty? That is my wish for us all.
Tuesday, April 9, 2013
First Greens
After work the other day I looked closely at my lawn. The grass is still brown, but when you bend down I saw all these lovely green plants blooming close to the ground! The leaves were tiny, not enough for a salad yet, so I picked a handful and added them to my salad dressing. It was the best salad I've had in months!
Plantain, is delicious in salad and also stops cuts from bleeding.
These tiny chickweed starbusts seemed happy to see their friend sorrel after the long winter.
Winter cress, related to watercress, but thrives in soil, not water. It has a short season, so look for it now.
Dandelions are at their most delicious before they bloom.
Tasty young chicory greens are easy to identify by the husks of their old stalks that were strong enough to withstand winter winds.
Friday, March 29, 2013
New Website
I am happy to report that this technically challenged poet-forager has completed her first website! Since I have not yet figured out how to add a link to this blog on the site, I thought I would begin with linking to the site from this blog. Please take a look at www.medicinewheelwithin.com. More content will follow soon, but in the meantime it's a look at the ideas I have been developing over many years on Block Island about how self-transformation and cultural transformation can occur simultaneously when we listen to Earth and act on what she tells us.
I will be guiding those who feel called to connect with the earth's stories here on Block Island in a series of workshops this April at The Block Island Poetry Project. The first weekend, April 11-14, I am incredibly honored to be teaching alongside Coleman Barks and Li-Young Lee. From April 18-21 I will be hosting an in-depth exploration of The Medicine Wheel Within path that will also include working together on the craft of poetry. This second workshop will be taught by donation so don't let lack of money stop you from joining me. I will happily take daffodils as payment!
I will be guiding those who feel called to connect with the earth's stories here on Block Island in a series of workshops this April at The Block Island Poetry Project. The first weekend, April 11-14, I am incredibly honored to be teaching alongside Coleman Barks and Li-Young Lee. From April 18-21 I will be hosting an in-depth exploration of The Medicine Wheel Within path that will also include working together on the craft of poetry. This second workshop will be taught by donation so don't let lack of money stop you from joining me. I will happily take daffodils as payment!
Dream Weaving
One summer I worked as a private gardener three days a week on an estate on the island. It was the kind of job where the owners tell you to make sure you bring your own water because they don't want you coming into the house for a drink. I was so beaten down this didn't even make me angry. That's just the way rich people are, I thought. The water from my house tastes better, anyway. My thoughts were bitter, and so was my heart.
One morning when the homeowners were not there, something happened that is so extraordinary I haven't known how to tell it. I have avoided telling it because I thought no one would believe me. For a time, I felt like it was more important to keep it to myself, that the magic of this even would dissipate if I told about what happened that morning as I approached the blueberry bushes covered in netting that kept the birds off the berries. I never went into the blueberry garden. I was told to leave it alone and did not want to be accused of pilfering berries. But that day as I wandered by, I noticed something was caught in the net: a dragonfly. It was a very large dragonfly, larger than any I had ever seen. Blue and silver, gray and green, colors of the swirling ocean--but with its wings pinned, this dragonfly was still. It looked at me with its enormous, globular eyes and I fell into the blackness inside myself. I opened the gate and walked inside, walked to the corner near the top where it was stuck and decided I had to free it. When I touched the net, trying to pull the gaps wider so it could escape, its trapped body began to vibrate in panic. Its wings were so thin. I knew if it kept up like that, they would tear. I was so scared they would tear before I could get it out I started to cry. When I say I was desperate I mean it. I had no choice. I took my knife out of my pocket and cut the net. The dragonfly shot straight into the air like a rocket and left my crying.
This was one of those days when the weight of grief was so heavy on me I didn't know how people could think I was not about to sink into a hole in the earth right in front of them, but somehow I managed to convince everyone I was normal. After my daily duties were done, I hiked out to the dunes on the far side of the North Light, and lay in a bowl where you can look up and see nothing but sky and sand. If I had been able to cry, I would have. Instead, I wrote two words in the sand with my finger: "Help Me."
Night calms me. When everyone goes to sleep, I awake. It's as if once the day's pressure to be productive is over, I finally allow myself to do the work I am meant for: to dream, to weave, to create beauty. That night I sat reading in bed. Something hit the screen of my bedroom window. Heavier than the usual insects throwing themselves toward my light. I got out of bed to take a closer look. It was the dragonfly. There on my screen, miles away from where I had freed it that morning. Its colors by night were even more iridescent. I was struck again by its size and its incredible black eyes. We looked at each other for a few minutes until I broke the spell to go upstairs to get a field guide. I had never seen a dragonfly at night before. I wanted to look it up. I was strangely calm that I knew it was the exact same dragonfly, almost as if I couldn't believe it, as if I didn't deserve something so wonderful, as if there was no way a dragonfly could care about me, as if magic didn't really exist in the world.
I walked back downstairs, book in hand, and it was gone. What I read in the book still gives me chills: dragonflies do not fly at night. Later, I read that fairies often appeared to humans in the form of a dragonfly, and for awhile I told myself the fairies had answered my call for help. Maybe it was a fairy I freed from the net over the blueberries, but now I can see that it is even more wonderful if it was just a dragonfly. How marvelous that when my broken heart called to the world in two words etched in sand, that a dragonfly came to let me know that someone heard me. That I have ever again doubted that I am loved by the earth, amazes me. That I did not change my life that moment. Maybe some revelations are so shocking that they have to be softened by time in order to be absorbed by our fragile bodies. I was sobbing when I cut it free, terrified it would die before it was loose, that its wings would break against my fingers. I saved its life. It knew it. Why should I be surprised it returned the favor?
One morning when the homeowners were not there, something happened that is so extraordinary I haven't known how to tell it. I have avoided telling it because I thought no one would believe me. For a time, I felt like it was more important to keep it to myself, that the magic of this even would dissipate if I told about what happened that morning as I approached the blueberry bushes covered in netting that kept the birds off the berries. I never went into the blueberry garden. I was told to leave it alone and did not want to be accused of pilfering berries. But that day as I wandered by, I noticed something was caught in the net: a dragonfly. It was a very large dragonfly, larger than any I had ever seen. Blue and silver, gray and green, colors of the swirling ocean--but with its wings pinned, this dragonfly was still. It looked at me with its enormous, globular eyes and I fell into the blackness inside myself. I opened the gate and walked inside, walked to the corner near the top where it was stuck and decided I had to free it. When I touched the net, trying to pull the gaps wider so it could escape, its trapped body began to vibrate in panic. Its wings were so thin. I knew if it kept up like that, they would tear. I was so scared they would tear before I could get it out I started to cry. When I say I was desperate I mean it. I had no choice. I took my knife out of my pocket and cut the net. The dragonfly shot straight into the air like a rocket and left my crying.
This was one of those days when the weight of grief was so heavy on me I didn't know how people could think I was not about to sink into a hole in the earth right in front of them, but somehow I managed to convince everyone I was normal. After my daily duties were done, I hiked out to the dunes on the far side of the North Light, and lay in a bowl where you can look up and see nothing but sky and sand. If I had been able to cry, I would have. Instead, I wrote two words in the sand with my finger: "Help Me."
Night calms me. When everyone goes to sleep, I awake. It's as if once the day's pressure to be productive is over, I finally allow myself to do the work I am meant for: to dream, to weave, to create beauty. That night I sat reading in bed. Something hit the screen of my bedroom window. Heavier than the usual insects throwing themselves toward my light. I got out of bed to take a closer look. It was the dragonfly. There on my screen, miles away from where I had freed it that morning. Its colors by night were even more iridescent. I was struck again by its size and its incredible black eyes. We looked at each other for a few minutes until I broke the spell to go upstairs to get a field guide. I had never seen a dragonfly at night before. I wanted to look it up. I was strangely calm that I knew it was the exact same dragonfly, almost as if I couldn't believe it, as if I didn't deserve something so wonderful, as if there was no way a dragonfly could care about me, as if magic didn't really exist in the world.
I walked back downstairs, book in hand, and it was gone. What I read in the book still gives me chills: dragonflies do not fly at night. Later, I read that fairies often appeared to humans in the form of a dragonfly, and for awhile I told myself the fairies had answered my call for help. Maybe it was a fairy I freed from the net over the blueberries, but now I can see that it is even more wonderful if it was just a dragonfly. How marvelous that when my broken heart called to the world in two words etched in sand, that a dragonfly came to let me know that someone heard me. That I have ever again doubted that I am loved by the earth, amazes me. That I did not change my life that moment. Maybe some revelations are so shocking that they have to be softened by time in order to be absorbed by our fragile bodies. I was sobbing when I cut it free, terrified it would die before it was loose, that its wings would break against my fingers. I saved its life. It knew it. Why should I be surprised it returned the favor?
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